Fangoria
Horror is wel echt mijn ding. Daarom ook heb ik een abonnement op het Amerikaanse maandblad Fangoria. Meer nog: ik verzamel oude nummers van dit bloederig magazine.
28 zoekresultaten gevonden met "The Curse": | |||
Fangoria#6 | p.31 | Through the Halls of Hammer | |
A concise history og the 60's leading horror studio, plus bound-in bonus poster. | |||
Fangoria#6 | p.64 | The Curse of King Tut's Tomb | |
Fangoria#7 | p.10 | The Curse of Frankenstein | |
Hammer's 1957 classic - the dawning of a new ero of terror | |||
Fangoria#10 | p.36 | The Horror of Sangster | |
The screenwriter behind Hammer Films' revivals of Frankenstein and Dracula recalls his role in that studio's "Golden Age." | |||
Fangoria#11 | p.29 | The Curse of Sangster | |
The prolific screenwriter moves to the U.S., bringing more horror with him! | |||
Fangoria#11 | p.34 | Fisher Fantastica | |
The World of Terence Fisher & Hammer Films | |||
Fangoria#58 | p.40 | The Curse of the Cat People | |
Fangoria#74 | p.52 | Son of Hammer - Part One | |
The true connoisseur recognizes producer Anthony Hinds as a guiding hand behind some of the greatest horror ever filmed. | |||
Fangoria#94 | p.40 | The Curse of Christopher Lee | |
A one-man horror tradition mulls over "Gremlins 2: The New Batch" and his 200-film career and reveals why he (gulp!) doesn't like horror. | |||
Fangoria#129 | p.12 | Full Moon Fever: Werewolves on Reels | |
Created by sorcery and science, the legendary monsters have prowled the screen since silent days. | |||
Fangoria#134 | p.72 | Full Moon Fever II: To Suffer The Curse of the Werewolf | |
It's hard to believe that Hammer Films only produced one lycanthropic chiller - but they made it count. | |||
Fangoria#139 | p.66 | Farewell to Saint Peter | |
When Peter Cushing passed away this year, he left behind a legacy as Britain's most charming horror star. | |||
Fangoria#147 | p.39 | Stop Calling Us! Halloween: The Curse of Michael Myers is Here! | |
Break out the jack o'lanterns again as a new sequel attempts to get the long-running series back in Shape. | |||
Fangoria#147 | p.42 | The Lost "Halloween" | |
Long off the project, Quentin Tarantino ponders whether getting involved in the latest Halloween was a good idea. | |||
Fangoria#147 | p.44 | Loomis' Last Call | |
Donald Pleasence's return to the famous franchise proved to be his swan song. | |||
Fangoria#148 | p.20 | The New Faces of Halloween | |
A pair of fresh young talents hope to make their mark on the franchise revealing the Shape's secrets. | |||
Fangoria#148 | p.26 | Halloween: The Curse of Michael Myers | |
[The filmmakers have] rewritten the myth, overexplaining something which shouldn't have been explained in the first place. | |||
Fangoria#225 | p.9 | The Curse | |
Blood moon rising | |||
Fangoria#227 | p.74 | Christopher Lee: The Last Horror Star - Part One | |
He has played more villains and monsters than anyone, but there's more to this British legend than screen bogeymen. | |||
Fangoria#280 | p.20 | Werewolf by Night | |
The curse that never dies | |||
Fangoria#300 | p.25 | The Curse of Frankenstein | |
Fangoria#300 | p.25 | The Curse of the Werewolf | |
Fangoria#307 | p.48 | Power's Monster Mashes | |
An overview of the Power Records comics with audio. | |||
Fangoria#324 | p.46 | Fangfest: Dracula: Serial Ladykiller | |
Michael Nouri: TV's "Cliffhangers!" cast him as a recurring Count. | |||
Fangoria#351 | p.9 | And More! | |
"What We Do In The Shadows", "Swamp Thing", "Wounds", "The Curse of Llorona", "The Hole in the Ground" and "Ma" | |||
Fangoria#358 | p.50 | Blend On A Dime: Talking Monsters And Makeup With Ve Neill | |
The legendary makeup artist chats with Fango about her four decades in the biz and all those trails she blazed along the way. | |||
Fangoria#359 | p.88 | Hammer Time! A Guide For Beginners | |
In an attempt to get genre fans to look beyond the past five years, we present a primer on the bloody, sexy history of Hammer Studios. | |||
Fangoria#367 | p.47 | Dwight Frye and the Curse of Renfield | |
How the character actor doomed his own career by being too perfect in a role. |